Contributors

Dressage


Dressage (a French term meaning "training") is a path and destination of competitive horse training, with competitions held at all levels from amateur to the Olympics. Its fundamental purpose is to develop, through standardized progressive training methods, a horse's natural athletic ability and willingness to perform, thereby maximizing its potential as a riding horse. At the peak of a dressage horse's gymnastic development, it can smoothly respond to a skilled rider's minimal aids by performing the requested movement while remaining relaxed and appearing effortless. Dressage is occasionally referred to as "Horse Ballet." Although the discipline has its roots in classical Greek horsemanship, mainly through the influence of Xenophon, dressage was first recognized as an important equestrian pursuit during the Renaissance in Western Europe. The great European riding masters of that period developed a sequential training system that has changed little since then and classical dressage is still considered the basis of trained modern dressage.

Early European aristocrats displayed their horses' training in equestrian pageants, but in modern dressage competition, successful training at the various levels is demonstrated through the performance of "tests," or prescribed series of movements within a standard arena. Judges evaluate each movement on the basis of an objective standard appropriate to the level of the test and assign each movement a score from zero to ten - zero being "not executed" and ten being "excellent." A score of nine (or "very good") is considered a particularly high mark, while a competitor achieving all sixes (or 60% overall) should be considering moving on to the next level.

Sunday, July 15, 2018

A Dressage Students Handbook The Walk


  The walk has four beats. There is no period of suspension. From this picture here you can see the distinct four footfalls.
                      1. Outside hind, just came to the round.
                      2. Outside front, on it's way to the ground
                      3. Inside hind, in the air and will come to the ground.
                      4. Inside front, has most of the weight of the horse and will be last to step forward.

         One side of the horse moves, then the other, the hind initiates the step.
          There is a slight nod in the neck which must be present in order for the back to be free and mobile. The neck must bob down and out rather than up and out. The working phase of each back muscle starts when the hind leg on the same side touches the ground. The muscles on the other side swing and relax provided the neck is allowed to nod.
          In addition to the neck I like to also feel for the rib cage swinging from one leg and into the other leg. As the hind leg comes forward there is a slight moving away of that sides rib cage. Allowing for this swing will also help the horse to stay loose in the back at the appropriate time and keep a clear walk. One can imagine one hip being picked up, pushed forward and let down, this is then repeated on the other side.
          The walk is the easiest place to spot a rider that manipulates the gaits. A horse that is not correctly through and has an artificial high head set will have to hold the  longissimus muscles in constant tension in order to hold the weight of the rider, thus causing a distortion or ambling gait (pacing).
When the neck is lowered and the forward downward nod is allowed the supraspinus ligament system is engaged to allow alternating relaxation of the longissimus muscles. For each level of understanding the amount the neck must be lowered or more correctly: allowed to lower is different. It is also possible that when a horse becomes tense from atmosphere or schooling that the neck should be allowed to come down more for a period of time and the nose allowed out and down to let the horse find that place of relaxation again before moving on.
           I find that hot horses that become tense at shows may need time with ground work, leg yields and transitions in order to find the relaxation. Loosing connection will further confuse and stress the horse, but manipulation will cause unhealthy pressure in the reins and a gait distortion. So staying focused on the swing, connection and proper reaction to the aids will bring relaxation and ultimately a correct pace.
            Please let me know if you have any questions!
             I hope this helps your ride!

               To be continued.....

                  Be youthful in your approach ~ Know anything is possible ~ Connection is the Key

                                                   Nancy
         


1 comment:

  1. I've been working on the walk with my horse. He is a little lazy. I don't like constantly hitting him with the whip. How can I get him to walk more forward and keep the pace?

    ReplyDelete